expanded double vinyl edition, 180 gr audiophile pressing, incling 12-page full colour booklet.

we are sure max cooper does not refer here to one of traum boss triple rs favourite writer thomas pynchon but rather connects here to the technical terminus of the parabolic trajectory often mentioned as rainbow-shaped. nevertheless we wish to express that the transgressive quality of max music, does it question or break down the boundaries and categories of western culture and reason, is a challenge we have at traum always aimed at, with tracks that were very far away from the norm in the same way as maxs tracks are.

soniculture presents the second and last volume of the >polis< remixes from billy dalessandros latest album, and what a way to end this project in style with four great floor fillers for the most demanding audiences. the ep kicks off with mobilees exercise one, who take >only your touch< through a ride of arpeggiated basslines and dark grooves only to melt later into the melody that is the heart of track, drifting into uplifting moments. an amazing result from this dynamic duo from berlin. americas own jason emsley, known for his releases on platzhirsch, takes a darker path down the techno lane and creates a mind blowing version of >in the red<, with his own processed vocals which end up being the core his message. from siteholder chicago, billys mate, brian ffar, creates a happy and playful version of >alphasex< fooling around with synths in ingenious ways. an amazing track filled with groove and originality that will bring only happiness to the listener. sonicultures label owner expander keeps the hypnotic feeling of >acidburn< but drives it over a stronger bassline towards a point where fine-tuned melodies take over and fill the soul with several sorts of feelings making it ideal for the mind and the soul...

the next release on claap is a joint venture between two label favourites. on side a, nikola galas >oasy< and >paradise (tool)< are two very tightly structured affairs! perfectly produced and oh so functional, they are another strong proof of the reasons for which nikola has been making waves in the scene for more than a decade. the overall feel in both tracks follows the same path along nikolas previous work on rekids and ibadan records, amongst others, along with releases on his own label escada music. we are also very glad to welcome a long time favourite john dimas. hailing from the beautiful city of thessaloniki in greece, john is a young and aspiring dj and producer who has been working with labels such as d julzs exciting bass culture. john has been steadily making a strong impression with his colourful, solid and passionate dj performances! >get it< is a very groovy, playful and smart track. reminiscent of older chicago house with a fresh touch. to round up the package, label head gummihz offers a disco orientated >get down mix...

the fifth neurhythmics release is a compilation of befriended artists, and this is reflected by the different interpretations of the individuals to what the labels sound is about. juergen provides the a-side with >common sense< a vocal-snippet driven house-track, that once again underpins his sound-aesthetics of having it sound live and mixed on the fly, straight out of the machine. the flip-side could not start off any better. quite possibly a future classic, >signature< by mike binary, has soul and emotion literally squeezed in between each of the effortlessly programmed beats, and has become one the favourite tracks at the neurhythmics hq to ever been put on the label. last but not least, >no other< by the dirty soul project (you will know these guys, but we were sworn to secrecy) firmly pulls the hand brake and slows things down to just over 110 bpm. this doesnt mean that this very hypnotic number isnt going to work in the early morning slots…au contraire, actually...

with this new release from amir on trapez ltd, it is clear that amir has turned towards house music even more than with his last releases. he has set the focus here on a stronger mix down with less small snippets but rather bold and fat jacking sounds

macro greets rhythmic expressionism: stefan goldmann’s “the grand hemiola” is the first real innovation in the vinyl format in years! 144 locked grooves build a toolkit that breaks out of the limitation of one 4/4 cycle and brings unique possiblities to create complex polyrhythms just with two decks and a mixer. stefan goldmann’s first ever double vinyl album is a take on the infinite possibilities of rhythmic layering. percussion-heavy, focussed on clashing metres, deeply exploring the sound set – from the orchestral “grand hemiola”, to the triplet-feel of “megi’s waltz”, from the 11/8 pattern of “double hendecagon” to the anti-loops of “away from the flock”: a unique, non-conformist album of haunted acoustics, haptic percussion and deep rhythmic expression. a true, first time invention comes on two sides of the vinyl set: “the grand hemiola” loop toolkit overcomes the time restriction of locked grooves: one record contains loops in 4/4, the other in 3/4 (employing the time differences of the rotation rates 33 and 45 rpm). in the mix, they sum up to an extended cycle of 3x 4/4 or 4x 3/4 and enable building complex “3 over 4” polyrhythms (“hemiolas”). you can mix loop into loop for hours without ever getting trapped. more than an album, this is a note: pitch down side d to approx. -1.5 to match the loops’ bpm rate on sides b & d

john dalys meltdown gets the remix treatment! 2 awesome remixes from 2 awesome producers. on the a side qrn aka quarion turns out a pure deep house mpc jam, while on the aa echologist aka brendon moeller takes things down the dub techno road with a right club banger. both of these remixes were constructed from sampling the b side tools of the original, direct from vinyl ... no parts here, just straight up raw shit, re-edit style.

glenn wilson turns up the screw on his compound platform with a three track dark pumping monster, eye ear drums is a dark hypnotic atmospheric work out with haunting voxs layered over thick drums and rolling throbbing baselines. note decryption rolls over more dark throbbing pulsing baselines in a more tough minimal style. the vault lays down some dirty atmospheric minimal rhythms before erupting into a metallic stabing workout...enjoy

miami is just around the corner (hurrah) universe media provide us with a tasty sampler of up coming releases

raw 90 underground house

the third release on dublin imprint ghetto quietly presents the debut ep from new york grown, irish dubbed lady grew. a stripped back four track selection of grinding tribal ragga and bass-rave smeared dancehall a la warrior queen vs the bug or dokkebi q, all oiled down in sleazy 808 sub tones. with karl kong (aka prince kong) on the beats and lady grew on the mic this is a riotous sultry affair not to be missed.

early support by session victim, motorcitysoul, darve clarke, dj sneak, john tejada, mr. g, catz n dogz, deetron, joris voorn, luca doobie, secret cinema, patlac, laurent garnier, roberto rodriguez, aki bergen, haito and more.
scope is back now with his first vinyl on night drive music. with a jacking mixup between chicago and detroit influenced house music he is directly aiming for the dancing legs.

digging deeper into their world of progressive electronic soundscapes and atmospheres, called understandable souls are sounding assuringly confident on their vinyl debut out on citywurl records. broken rhythms with a healthy dose of funk, make this one solid release.

having been perfecting his production skills for the last 10 years, mrk1 is no newcomer to the world of bass-led music. a member of manchesters infamous virus syndicate, he has become internationally recognised as a huge dubstep talent. so when hench got the opportunity, they jumped at the chance to sign two typically down-right dark and dirty numbers from the man like mrk1.

highly anticipated first time re-issue of the super rare soundtrack of swiss film >l oeil bleu<. originally released in 1968 by soundel records and pressed at only 300 copies. >l oeil bleu< delivers a mix of psychelic pop, acid folk and jazz groove. it also includes a few monster break beats. the soundtrack is now re-issued on flow motion, a new swiss label specialized in highly collectible swiss records from the late 60s and early 70s. a must have for all break beat collectors and psychedelic soundtrack lovers. limited to 700 and selling fast! 180g virgin vinyl, original cover artwork, includes insert with replica of the original poster on the front and liner notes by film director jacques sandoz in french and english.

nice price deal !!! finally we are there! superfancy recordings is back after a one-year-holiday! fresh releases for the coming months! first there will be a new funkwerkstatt output with the >funkenflug< ep. 2 brandnew tech-house-monsters, named >zuendspule< and >kickstarter< featuring the typical funkwerkstatt funk, are waiting to be unchained in order to burn down the dancefloors of this planet! goldclub essen resident marcus sur, who knew to score with releases on highgrade recordings and mbf ltd. before, adds a mystical, slightly psychedelic remix to this relaunch package from the label with the eyes!

diynamic music today present the debut release from our brand new sister label, 2diy4 (pronounced: two die for). launched as diynamics very own playground, to experiment, showcase and surprise, 2diy4 will play host creative, unique and down right cheeky releases of the highest order. the first release is called solomun - love recycled consinsts of 3 tracks that allready get massive attention all over the place. house tune of the month in the new idj (uk), killer release in the dj mag (uk and italy) and one of the releases of the month in the new deejay spain issue

hard progressive drum attack, deep fazed out bass, some diva adds & a super hard core (could be ja rule or even tupac) vocal >mothe f**kin name< cut up in-between the frantic beat montage on the a side, while the b side lives up to the san fran thing with erotic funk chords laid deep down over sub sf bass rolls and super tight percussion arrangements.

summer has come early. the fog is literally lifting and willing the summer to come early with this excellent ep for metroline. lead track diggler’s job is a breezy house number with pimping keys and a beautiful bass bounce. there’s plenty of movement in the percussion and a light touch that just begs for summer to come. shout romance is a shade tougher with its up-front kicks and acid-tinged bassline. it has slow burn intensity that is nicely counterbalanced by smooth reverb-soaked vintage synths.the jackspot remix of shout romance really brings out the funk in those synths, underpinning that with down-the line percussion and skittering hats that give the track a real drive. rounding things up nicely is in the right mood. the track’s bassline is sticky, sweet treacle over which congas and vocal cuts are expertly sprinkled to create a tasty treat. it never gets sickly though… horns are deployed sparingly, and the track has the same cool as a cucumber minimalism that makes this ep pure pleasure on the eardrums

nice price deal !!! rong robots 5th release comes as 4-track double vinyl with tracks and collabs by wickaman, rv, the amigos, mavrick and human error - these cuts will tear the floors apart!

somfay makes his debut on detroit underground with four tracks of opiate bliss entitled >bright black borealis< inspired from within the corona of lucid dreams. slowing down the use of his birth name on his work, this is the last record he will release under the name somfay for some time while he focuses on developing his various new projects under several aliases.

marco zenker, the wonderboy from munich is up and looking for freedom again with his second record on ilian tape. invisible shadows was discovered by ourselves on the last ilian tape warehouse party back last year. when we heard it the first time on a big system - even marco himself - we were pretty surprised. its building up slowly and leads into a very open space - the perfect track to give the night another direction. remain silent after you heard that side and open your ears for the b side that sends us into a different sphere. here we go down. you almost can call that cut a meditation hymne - it has the same vibe as osho ashram s back then hosted by f. fuhlert. finally we have a tripping remix from one of the hottest dutch guys at the moment - conforce. known for his releases on meanwhile, delsin or rush hour he shows once again why holland is thechicago of europe. its just free spirited, soulful and openminded. qualities we are missing here more or less in bavaria. so we are trying to open up and change things. the time will come. kiss

match made in heaven! the legendary charles webster (love from san francisco, presence, furry phreaks) stamps his timeless deep vibe all over this cut from san francisco dj mfr. his remix of >come to me< has that classic webster feel, with warm chords flowing over a stripped-down vocal arrangement and some chunky dancefloor drums.

paul hughes and aruba teaming up for this latest offering from siesta music. >these days< is a lush late night groover, combining a rich bassline with a drifting vocal stab, tight beats, and dubby chords for some quality deep house. aruba adds a little old skool flavor to his >those drumz mix< via new analog synth lines and a new bassline, while the beats, now more of a tribal rhythm, still keep the floor crowds moving. the >those nights mix< will throw you all off, with the track slowed to a crawling skank with a deep bassline and recliner beats pitting wits with a slowed down take of the vocal.

after visiting the north of bass music with the first ep caterva goes up north, the french band and label i.o.t records continue their journey from this time to southern bass music. for this new ep southern caterva produces a track with the sounds clearly kuduro salta featuring mc baal.it follows the track barrio alto, after a remix sounds salta but in a vein clearly solid dubstep. heavier than ever and halfstep, barrio alto is a bomb for the dancefloor dubstep ravers around the world!to close this caterva goes down south, you can download (using the 3d code visible on the cover),the remix digital version salta baile funk with dj uno.

sasha carassi is back on his phobiq imprint with the fiberboard ep!with synths sounding like liquid tension, the original mix is a journey through tough beats and frantic electronics. the mighty slam are in charge of the first remix and they take the dark and dirty route, stripping the original down and adding some bleakness of their own, only to surprise us with an old school-sounding breakdown. the acid mix is slightly more rolling, featuring snappy drums and pulsating percussion, which takes us to the fourth track of the ep closing up is tom laws, who has been making his own unmistakable noise as of late. utilizing simple,yet solid drums he offers us a clearer picture of the tense synths while maintaining the vibe of the original.

more beatdown disco badassery from camp sleaze, courtesy of melbournes francis inferno orchestra (fio), whose profile is skyrocketing after a string of stellar releases on dikso, wolf music and under the shade. unsurprisingly, >the night he came home<, his debut ep on sleazy beats recordings, is a right clusterbomb of a record. with rush back and this fire is real, fio showcases just how good he is at capturing the sound of 80s disco (crappy vocals and tom drums, what’s not to love?) and transforming it into infectious, midtempo dancefloor fodder while keeping things deep, down and dirty. lovers on the flip is a tasty dreamy chugger with a hypnotizing groove that will appeal to the fans of the super value special edits series. one of sleazy beats finest releases yet, and as usual, a very limited affair (no digital, no repress).

erell ranson crafts melancholic techno and is laying down warm chords and deep harmonics on this five track ep on the elektrosouls imprint. label bosses collaboration newtownsoul bring us remix of the title track reshaped for the dance floor.

over the course of nine albums in the 2000s for their producer-led beat generation series, bbe adopted an unusual stance. >do what you want<, their artists were told for probably the first time in their careers. the labels enormously liberal approach was the antithesis of stiff major record label a&r practices, their forward thinking rewarded handsomely by a truly diverse set of albums from some of the worlds most capable hip-hop architects.

its the only one, its the skyline when the sun goes down, its the never ending moment, its the sound from the hacker!! incl the glitz (voltage) remix

luv jam - better known as andy cole - made his name through outings on we play house and lany recordings, and >mature oak< finds him in fine form, an epic, atmospheric track poised on a bed of analog synths and warm pads, driven by galloping drum mechanics that gradually give way to its climax, an irresistibly squelchy acid bassline that marks it as one of coles most memorable productions to date. on the flipside we get treated to cottams first ever remix. cottam has made an impeccable name for himself, with his signature colourful series of untitled 12s and a contribution to the story imprint. true to his roots, cottams re-rub of >mature oak< is a slo-mo, motorik chugger that makes excellent use of the originals acid line while taking the whole track a step further. its a proper heads down affair that begs for a soundsystem loud enough to do it justice. limited vinyl pressing of 444 copies – hand stamped and numbered. special artwork by pedro carvalho de almeida.

rome, italy native fabio bacchini has been holding it down for underground house music with his label mind travel, but takes a step to the left to give us a hot little ep on transport. the roman disco ep is exactly what it says on the box: no fancy gimmicks here, this release is comprised of four solid disco house jams. the first tune >weekender< is a nice phase guitar loop jam with signature disco pulsating strings amidst the happy snapping snare beats and soul train vocal snips. next is my favorite cut, >money talks<, a straight up disco rhodes organ jam a la the crusaders. add some saxophone in there for points with ladies, and you have yourself a jam. on the flip we have >in the mood< is takes the mood a bit deeper with a nice n spacey groove amidst a rhythm heavy beat. throw some synth strings and keys riffs in there for good measure and there you have it... disco house. sometimes stays within the same formula but brings a more pulsating sound that pushes the music. the tune is still deep and groovy as the ep winds down...

no more hits (nmh011), with nicholas back at the helm. following up on his cd compilation for nmh, which went down a storm, the man is back with a brilliant 4 tracker of classic house and boogie vibes.

after the sensational >paris underground trax - vol.1< ep, my love is underground returns! this new release has a very special story. the dedicated deep house connoisseurs amongst you will surely remember the name of >jerzzey boy<, a guy who did a bunch of releases on bottom line between 1992 and 1993. with the help of his partner brawther & after 5 years of research trying to trace him, the man behind the label, jeremy >underground paris< travelled to... pennsylvania, where jerzzey boy now resides, to meet up with him and bring back dat tapes, with unreleased gems from back in the days! heres a part of the result of that journey which is >lost cuts pt.1<, 4 tracks with that original early 90s vibe that will bring you straight to club zanzibar!

dj ageishi is like the sensei of japanese djs: a true legend and active since 1973, he can scoop from an incredible musical wealth of experiences yet has his ear to whats happening in the now. this mixture of knowledge and curiosity for the new also characterizes his debut on internasjonal with colleague dj akin, who left his mark outside of japan with a remix for brennan greens >900lb man<. rattling drum breaks from the funk end of disco are the backbone for a soprano sax lick slightly remiscent of coltranes >a love supreme< that floats on top of noise distortet sheets of synth before the >rain parade< makes a total turn ending with a comforting lullaby like rhodes melody. prins thomas boils it all down to a simmering slow dub remake, while mark e lets all the single ingredients patiently lets every ingredient from the original develop its full-bodied flavour before kicking up the heat.

we kick off 2011 with the latest collaborative plate of bristol-based build badness – label boss baobinga cooking up two what-do-you-call-it tracks with one of 2010s breakthrough producers, the man they call hyetal. starting 2010 with a huge punch drunk release alongside shortstuff, hyetal further refined his sound through collaborations with peverelist, and the massive prince-tastic anthem >phoenix< on orca – which can be found sitting proudly at number 36 in fact magazines tracks of the year run-down. with some big releases due in 2011, and more velour beats (with julio bashmore) on the way, we are very excited to have him involved in a build release.

the eighth edition of cocoon recordings 10inch series leads us to berlin, where martin müller and daniel stroeter are working under the alias youandme as djs, label managers and producers for labels such as rotary cocktail, 2020vision and compost for more than 15 years now. >raw” is the ultimate soundtrack for the very special acoustic comprehension both musicians have in setting an absolute imperative on the dancefloor by constantly rising noise levels, but without ever neglecting the funk. living in berlin for only a short time, 23-year-old ilario alicante from tuscany / italy has made his appearance by releasing records for cécille, break new soil or sci+tec over the last three years, especially >vacaciones en chile< was an essential part of the club summer 2008. >balance< purifies modern house music down to its essences, using a 2-minute break with a central organ theme to keep your synapses tightly clenched before a massive bass kick unlocks the tension. just a perfect acoustic devotement to the balance of the raw.

olm029 - layo & bushwacka! - double a side summer gone/what do you say now layo and bushwacka! spent most of last year recording, the first offering from this period came at the end of last year with their endangered ep on plus 8. we now present their first release on their own label in eleven months. summer gone is a groove that starts on an up that slowly breaks down and brings in sounds, voices, rhythm and then kicks back with a really strong vocal and groove. what do you say now hits from the moment it begins with a stripped down sound and dub vocal and then slams with strong percussion and then back to the groove. totally tested out by layo & bushwacka! but supported big by the only two other djs with copies, richie hawtin and laurent garnier.

accompanying the debut lp remix ep number 2 straddling the realms of dubstep, house and disco from an ever emerging pool of old and new guard. remixes on the dub orientated ep with mark e, session victim and riley reinhold. duffsteps debut album >getting to sirius< is a heady potion laced with influences of dub and down tempo beats, winding through layers of melody and synths whilst vocals soften the blow providing a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you wont have to wait before a nice big bass-line knocks you down on your arse again

disco cakes are back for their second release. after the success of the first release they have invited the dancefloor outlaws back and this time have bought some friends with them for another solid packed ep of 4 dancefloor shaking bangers.

this premium edition incl 12inch vinyl + maxi cd ... early support by session victim, motorcitysoul, darve clarke, dj sneak, john tejada, mr. g, catz n dogz, deetron, joris voorn, luca doobie, secret cinema, patlac, laurent garnier, roberto rodriguez, aki bergen, haito and more.
scope is back now with his first vinyl on night drive music. with a jacking mixup between chicago and detroit influenced house music he is directly aiming for the dancing legs.

super limited edition re-press on heavyweight vinyl with brand new sleeve notes.

social distortion is something of a legend in the punk genre and still continues to receive worldwide respect and support.music on vinyl is very proud to present this legendary and widely acclaimed punk album on 180 grams of the finest hardcore audiophile vinyl.

brainiac kicks off with a dark and foreboding intro, then crashes into a powerful, rough and ready roller. menacing punchy beats, obscene chest thumping basslines and plenty of clever edits, guarantees this tune to maintain high energy levels in any club. this track can only described as absolutely devastating! the reverse side opens with a tense synthline that drops into fully charged neurofunk. although this track is more down tempo track, its sub warbling basslines, complimented by rattling percussion and steppy breaks, means legacy is sure to get the dancefloor swaggering.

now with great remix on b-side ... started as mysterious white label with german vocals – this one will burn down german clubs for the next months – for fans of jaques raupes >pusteblume<, ronny rockstrohs >tanzen< or >nein mann< by laserkraft 3d.
schaust mich an – lächeln ist – deine pflicht – lügst mir mitten ins gesicht – glaub mir doch so wird das nichts

>13.0< is the reduced title of the original track, which reflects as well the puristic approach of the sound. oldschool manner meets analog waves on swinging grooves, that cleares the way across the galaxy. gabriel le mar pitches down the velocity and touches down on the magical fairys planet! his silver bullet is the game of dice and conjures the fairies with an ocean of moments in happiness, what ends up in joyful dancing. playing games has ever been his passion! the trip goes on in low level flight mode. the smalltown collective offers clearer strings with a dose of deepness. on his remix of >29.0<, steve coles shoots the fire with wide-opened claps and crunching the gear, while spreading the music by the machine into the width of the universe.